Her twin sister must now find out what happened to her while the war draws near. On the shores of the lake lies the body of the young woman named Martha who has been drowned and desecrated. The game starts in the Italian countryside as Allied and Axis forces turn the nation into a pincered playground. It blurs the lines between reality, superstition and the tragedy of war. This new game is a dark first-person psychological thriller that is set in 1944 Italy. The game has been developed in Unreal Engine 4 by LKA, the guys behind the psychological adventure The Town of Light. Get it now to experience a gory and yet compelling psychological thriller story. I'll definitely check out his work in the future, but this film isn't quite there yet.Martha is Dead is now available today and will be available digitally across PC, PS4, PS5, Xbox One, and Xbox Series X/S. To be clear: I don't object to open endings or films that leave a lot of information out to allow viewer interpretation, but in this case I felt it was done as a cover up for lack of decision on Durkin's part - a flawed script that doesn't really feel complete. The same goes for the relationship between Martha, her sister and her brother in law, and most of all the ending, which suggests some very interesting subjects which the rest of the movie doesn't really explore. The cult, for example, is fascinating, seductive and nightmarish, and John Hawkes delivers outstandingly, but on closer inspection it looks like a perfectly generic hippie cult of the classic Manson prototype, and we get no hints of what their philosophy actually is, or about the personalities of any of the members. It's probably because there's so much potential and so much to explore, and so little of it is actually brought to fruition, that I left the film with a bitter taste of a missed opportunity. It's a film that looks and sounds great, but unfortunately it doesn't mesh into a satisfying experience.
It boasts two young talents who are showing tons of potential - director Sean Durkin and lead actress Elizabeth Olsen Olsen's performance is subtle and effective, and Durkin's directorial work creates a strong sense of atmosphere, which is aided by the superb cinematography of Jody Lee Lipes (who also had very little prior experience in feature length films). I'm tempted to give Martha Marcy May Marlene a higher rating than it deserves for what it could have been, not for what it is.
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